25th November 2021 - 8pm
Her award-winning musicianship, distinctive chocolatey vocals and mastery of the songwriting craft have led reviewers to describe Sarah McQuaid as a “triple threat”. Add to that a warm, charismatic stage presence, five critically acclaimed solo albums and a battery of instruments including acoustic and electric guitars, drum and piano — and you’ve got a one-woman powerhouse who defies categorisation because there simply isn’t anyone else out there quite like her. Not to be missed!
Born in Madrid (to a Spanish father and an American mother), raised in Chicago and now living in rural England, Sarah McQuaid was taught piano and guitar by her folksinging mother, and remembers being inspired by meeting her distant cousin, well-known singer/songwriter/storyteller Gamble Rogers, at her grandmother’s house in Indiana. From the age of twelve she was embarking on tours of the US and Canada with the Chicago Children’s Choir, and at eighteen she went to France for a year to study philosophy at the University of Strasbourg.
She moved to Ireland in 1994 and lived there for 13 years, working as a music journalist and magazine editor. In 2007, she re-released her 1997 debut solo album, When Two Lovers Meet, and launched her solo career with a performance on Irish national television as the musical guest on John Kelly’s popular Friday evening arts show The View. The same year saw her moving to England, and in 2008 she released her second album, I Won’t Go Home ’Til Morning. In contrast to the first album’s focus on Irish traditional songs and instrumentals, the follow-up was a celebration of old-time Appalachian folk, with Sarah’s arrangements punctuated by her own compositions and a cover of Bobbie Gentry’s classic “Ode to Billie Joe.” The two albums were re-released as a double-CD set in North America in 2010 and immediately went to No. 1 on both the album and artist Folk-DJ chart.
Crow Coyote Buffalo, an album of songs co-written by Sarah with fellow Penzance resident Zoë (author and performer of 1991 UK Top 10 hit single “Sunshine On A Rainy Day”), was released in 2009 under the band name Mama and garnered rave reviews: Spiral Earth described the pair as “Two pagan goddesses channelling the ghost of Jim Morrison.”
Like its predecessors, Sarah’s third album The Plum Tree And The Rose (Waterbug, 2012) was recorded in Trevor Hutchinson’s Dublin studio and produced by Gerry O’Beirne, but represented a departure from her previous work in that nine of its thirteen tracks were originals. Also featured were medieval and Elizabethan numbers and a cover of John Martyn’s “Solid Air”.
To record her fourth album Walking Into White (Waterbug, 2015), Sarah travelled from her adopted home in Cornwall, England, to the small town of Cornwall, New York, USA, in order to work with co-producers Jeremy Backofen and Sarah’s cousin Adam Pierce. Recorded and mixed in just under three weeks, Walking Into White was selected by FolkWords as Album of the Month and nominated for both Best Album from a Female Artist and Album of the Year.
In April 2017, Sarah was presented with a Lifetime Achievement Award by the Ards International Guitar Festival in Newtownards, Northern Ireland (previous recipients include legendary guitarists Davey Graham, John Renbourn, John Martyn, Martin Simpson, Pierre Bensusan and Martin Carthy) in recognition of her innovative use of the DADGAD tuning and her authorship of The Irish DADGAD Guitar Book (Ossian/Music Sales Inc, 1995). She regularly presents workshops on the DADGAD tuning (as well as on songwriting, tour booking and more) at festivals, music schools and venues around the globe, and is working on a follow-up book on DADGAD song accompaniment.
Sarah’s fifth album If We Dig Any Deeper It Could Get Dangerous (Shovel And A Spade, 2018) was produced by cult guitar great Michael Chapman, memorably described as a “granite-faced 76-year-old Yorkshireman hailed by the likes of Meg Baird, William Tyler and Ryley Walker as the godfather of new cosmic Americana” (The Guardian). The emphasis this time round is very much on Sarah’s superb writing (including instrumental originals as well as songs) and delivery, plus arrangements for guitar and voice of the medieval chant “Dies Irae” and Jeff Wayne’s classic “Forever Autumn”.
With the release of her new album, Sarah has expanded her battery of instruments to include piano, electric guitar and drum, and it’s drawn critical raves internationally: Dutch music magazine Heaven hailed it as “an early contender for folk album of 2018,” the UK’s fRoots said it was “a collection to savour” and the USA’s PopMatters called it “a gateway into a true innovator’s soul.”
“One of the most instantly recognisable voices in current music … Shades of Joni Mitchell in a jam with Karen Carpenter and Lana Del Rey.” —Trust The Doc
“She reached parts other singers fail to do ... There is emotion, beauty, passion and musically great arrangements and fab playing. It’s a complete package. I loved the show and was very moved.” — Rob Bozas, Bozas International (Publisher, Peter Gabriel/Real World)
“Captivating, unorthodox songwriting … layered satin vocals ... enthralling, harrowing arrangements … a gateway into a true innovator’s soul.” — PopMatters
“I’ve attended hundreds of concerts of all kinds, and her subtle mastery onstage launches her straight into my fave shows ever.” — Huffington Post